The Big Swim

Not when truth is dirty, but when it is shallow, does the enlightened man dislike to wade into its waters.

Friedrich Nietzsche
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Hello Jen
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That statement could just as easily come from Lao Tze as from Nietzsche. They were both enlightened and comparable thinkers. Both were accustomed to tread into the murky, trash filled waters of pseudo science and false morality. Both could be found cleaning up the deep swamps of superstition. And they would enjoy swimming in the oceans of creativity, imagination and inspired thought.

I read both of those philosophers as well as others who have avoided the ankle deep mud puddles of tinsel intellect and waded into the deep. The most exciting part of any study that takes one into serious water is that the inspiration for ardent, progressive thought comes from the unmet and unknown community of thinkers. It is why the enlightened ones need to write and be published. Even though any language is limited in its ability to translate supreme ideas into words and symbols, the attempt to do so and the accompanying challenges from other thinkers to those ideas is what creates the commerce of ocean dwelling men and women and the sharing and gradual focusing of immortal light on the truth.

To me, in my advancement into the senior class, there is hardly any human activity more interesting than the market place of ideas as it is found in philosophy, art and science. To identify a controlling principle through understanding its expressions and to trace individual experiences, mental and spiritual, back up to a dominant principle is an ever exciting journey.

The world of pond and brook dwellers tend to think of advanced intellectuals as ivory tower types who live in a world of isolation from other thinkers. But that's a false impression. I have often said that as an actor when I see a play or a film I am watching other actors working. I know a difficult scene when I see one and I can admire how a good actor engineers his way through it. The same can be said for musicians listening to other musicians playing or artists at an exhibit of paintings. There are some fundamental ethical, psychological and metaphysical questions that all philosophers must approach at some point in their work and how they engineer their way through the questions to a proposed answer is fuel and food for another thinker. And thus the big swim continues.

DB - Vagabond Journeys
Never Give Up
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Don't Let Go

It's all about finding the right note at the right place and knowing when to leave well enough alone. And that's a lifelong quest.

David Sanborn
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I used to say I reinvent the art of acting with each new role I get. It wasn't strictly true but it often felt that way. In any art form there is always a frequent return to the basics: the line, the tone , the word , the step. And every time that return happens the adventure begins again, or rather a new adventure begins.

The Bible says "A word fitly spoken is like apples of gold in pictures of silver." One could say the same for any simple element in the artists hands. A beautiful piece of pottery begins with a lump of clay. A beautiful painting may begin with the mud pie of colors on the artist's palette. The creative process for humans is about turning chaos into order. It can't be done with a to do list or a template of practices. Originality is the only rule that works.

Art does not imitate life, it imitates the essence of life. It is not a reproduction of nature, it's an expression of nature itself. "Pots are fashioned from clay but it's the hollow that makes the pot work" said Lao-Tzu. A careful poet searches for the right word. An almost right word points out the door to understanding, while a right word eliminates the door. It seems to be a magical, mysterious moment when the right word is found, when the right tone is found and applied.

I knew an art student who told me this event about a day with her teacher. She was working on an abstract painting and everything on the canvas seemed to be a mess. The teacher came to look at it, took a pen from his pocket and drew a single line on the canvas then walked on. She looked and saw her whole painting come into focus. The teacher had placed a golden apple in her silver picture.

How did Mozart know to use precisely the right notes? A great piece o music not only plays but also listens. Paul Hindemith wrote a book on musical composition in which he discusses cocreation, the participation in the music by the listener. When the music is great you know it is because the right notes are heard, the logical tones, the one's you expect. The music has told you what it is and so you can go along with it making it happen as you go. A great novel unfolds in the same way.

Why does this happen? Because the creative act is germane to our human experience. We cannot survive without art any more than we can without air and water. Pathetically, there are many people who don't understand that and so suffer and make others suffer.

President Obama spoke recently about the need to improve our education facilities, especially in the fields of science, math and technology. He is absolutely right about that. But our education shouldn't stop there. It needs to include art and philosophy, two most important ingredients for understanding who we are and where we are going.

One says "I need to get through school and get into the job market, fast. I don't have time for philosophy and maybe, some day, when I've made it, I'll think about art." And so he finds himself knee deep in muddy water and doesn't know how he got there. This nation was formed by philosophy, not by religion or economics. Even Margaret Thatcher noted that about the USA. If we forget that, if we stop listening and cocreating, if we give up the lifelong quest and let go of our grasp on the ideas which make civilization, as we seem to be doing, there's only one way down.

DB - The Vagabond
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AUTUMN QUESTION

(This is not a contest.)

At what event of the past do you wish you could be present? Why?

5 responses so far.

dbdacoba@aol.com

Thank you.
DB
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