Until It's Right

No authority is higher than reality.

Peter Zarlenga
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The teleology involved in a work of art is not hard to identify. It isn't Judgement Day or the end of the world, although it may seem that way sometimes to the artist. The culmination of a lot of effort is something finished and good enough for the artist to sign his name to. There is no way for an artist to know how hard the journey is going to be from the first stroke of the brush to the moment of signing.

It is a curious thing that some stories, paintings and other works seem to create themselves while others offer nothing much to the artist but struggle and frustration.
My two long stories, Brian and Christine, and Brian On The Road, seem to have written themselves, whereas some of the others, like the one I'm writing now, The Savior, is asking a completely different dimension from my imagination. It's one of those pieces that needs to be told, retold and retold again until it's right.

I used to have a similar experience as an actor. I did a lot of plays by Eugene O'Neill. Two of the major roles fit me Hogan in A Moon For The Misbegotten, and Con Melody in A Touch Of The Poet were roles I felt were written for me.

For the actor to make a successful work it must be honest, a recognizably real person within the style of the drama. It's the reality of human life and it's articulation by the playwright and the actor that gives the theatre it's vitality and authority.

I understood Con Melody at the first reading of the play, but I wasn't cast in the role. I was given a different part. The actor who had the role didn't understand him and dropped out. I took over the part on a day's notice.

In the case of Hogan I thought I had a good grasp of the character but there was still something missing. One day the director handed me a corn cob pipe, a tin of tobacco, a knife and a box of matches and said "Play with these." I cut the tobacco, stuffed it in the pipe and lit it a few times until I was comfortable with the business. It was the simple act of stuffing the tobacco into the pipe with my finger that opened up all the rest about that character I needed to know in order to play him.

On the other hand I twice played James Tyrone in A Long Days Journey Into Night and each time in order to get to the reward of the silvery poetic writing of the last act I found the first three acts a hard struggle.

The question is why do some things come easily and others don't. Someone watching from the outside might say "You're putting up barriers to yourself." That is probably true but what are those barriers and why do we erect them? I've heard many nonsensical reasons. "You're being to serious." "You aren't taking it seriously enough." "You're too angry." "Use your anger." "You're being too self-indulgent." "You need to put more of yourself into it." And so on.

The easy days are tempting us. One day we stride across home plate amid the cheers of the crowd and the next day we can't get to first base. We forget that we have to work at it and keep working at it until it's right, thumb our noses at frustration, take the dog out for a walk, have a shower, make another cup of coffee and go back to the task.

And we also have to ignore the voice that keeps saying "Look at you. You're a joke. You're a dunce. Whoever told you you could write? Give it up."

For the artist there is no such thing as "give it up."

DB - The Vagabond
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WEEKEND CONTEST
Gotcha

Here are the first two words of song titles.
"I got" or "I've got"

The person who comes up with the longest list of song titles that begin with those two words will be the winner. In the case of a tie duplicated prizes will be awarded.

good luck
DB

Zenith Zeal 6/22/09

A genius is one who sees what is not yet and causes it to come to be.

Peter Zarlenga
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Welcome.
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Question: What do the space shuttle, the 747, a blimp, a hot air balloon, a mountain climber, a tight rope walker, a pole vaulter and a good thinker have in common?

Answer: They all overcome gravity.

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We all daydream. A genius is one who takes his daydreams seriously. All the great and important things that have come to be have all started with thought. Not just any kind of thought, but the thought that reaches out beyond the established limits of what we suppose reality is made of. Not the downbeat thinking Loretta Young spoke of in my last entry. We dream of things that are not possible. We laugh at the absurd ideas that crop up in the free floating mind. And if, by chance, we perceive that there may be a remote possibility that what we dream of may someday become a reality, we turn the whole project over to the mysterious "They." "Someday they may figure out how to do so-and-so." Meanwhile the genius isn't content with waiting for "They," he becomes the "They" in question.

We are all capable of genius on one level or another. The "down beat" thinking that most of us engage in sometimes is one of the worst culprits in the world. It's the voice that says things can't be done, are impossible, against the laws of nature and morally wrong. "If God had meant us to fly he would have given us wings."

I'm an artist, and I know that an artist is also one who takes his daydreams seriously. Sometimes, when I view or hear the work of another artist I'm fascinated to think at what point the artist was in his life when the idea first occurred to him to try to create such a thing. I am equally fascinated by where my own ides come from.

I wonder the same about the great inventions of the world; some are magnificent, like the space shuttle, some are mundane, like the can opener, And yet they are all fingers pointing to the sign that reads "Genius At Work."

DB - Vagabond Journeys
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Do a little summer dance today. Just a couple of steps will do.
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SUMMER QUIZ

This is not a contest.


A young man out west just took home 88 million dollars from the lottery.


Whether you play the lottery or not, if you suddenly at 88 million dollars what are the first three things you would do with it?


dbdacoba@aol.com

http://vagabondjourneys.blogspot.com/