The Med Puddle And The Stick

The compelling force of all times has been the force of originality and creation, profoundly affecting the roots of human spirit.

Ansel Adams
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Hello Bruce
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The artist is one who lives on the edge of discovery. The artist is one who sees the brilliant stone that others don't see, who picks it up and takes it home. The artist is one who is isn't afraid to listen to the silence and describe the invisible. To the artist the creative experience is nature.

Painters look at paintings, actors watch acting, musicians listen to music. And one of the fascinating things and yet one of the most normal is how a painter can appreciate a work of art done by a good painter who works in a completely different genre. It doesn't matter what the style is it's the artistry that counts.

Those who know me well know that I'm a great fan of and know a lot about classical music and opera. At work one day something reminded me of a Donovan song and began to sing it. My boss looked at me with astonishment. How did I know that song? How should I not know it? I listen.

When I lived in Inwood, which is the northern tip of Manhattan Island, my bank was a few blocks away. Midway there was a record store which specialized in C The owner had a speaker out in front with music playing. I loved going by there and sometimes would stop and listen for a while. They were excellent musicians. Salsa was their language.

I think if you gi e him the right surface an artist could make a good drawing with a stick and a mud puddle. Materials are another thing. Ansel Adams was a great landscape photographer. There weren't always photographers. Someone had to invent the camera. With each new technological invention or improvement artists will get a hold of it and turn it into a way of creating some original work of art which defies what the invention was first intended to do. Thus we now have computer art and electronic music. Some day we may see some massive sculpture in low Earth orbit gliding overhead to please and intrigue the whole world. Think of it.

Why are we artists? We have to be because that's what we are. It's an obligation, a compulsion, a joy and a privilege, and because what we do nourishes the very roots of human life..

Dana Bate - Vagabond Journeys
Never Give Up
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The Right Answers

Sometimes creativity is a compulsion not an ambition.

Ed Norton
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Hello Mark
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One day I had lunch with a young actor who wanted to pick my brains about acting. We went to a restaurant where he bought me a pizza. It was a good pizza. I told him I would ask him one question and that if I didn't get the right answer I was going to talk him out of it.

The question was "Why are you an actor?"

The answer was "Because I love entertaining people."

That was a good answer so I talked for the next hour or so about acting: the job, the career, the techniques, the artistry. While I was speaking and answering his questions I realized something I didn't usually think about which was how much I loved acting, the theatre, the opportunity and process of entertaining people.

In my late teens I had several opportunities open to me and a few skills in other trades. But when I realized that I was an actor I put all my other talents in the shed and never looked back.

I've had occasions to encourage other younger actors as time went by. I remember talking with one who said he loved performing and rehearsing but he hated auditions. I turned his head around about that when I told him an audition was a chance to put on a show and entertain people.

I have known artists, painters and writers who lost sleep and did not realize it because they had to finish what they were working on. I have known ballet and modern dancers for whom discipline was such a constant way of life that they exhibited more of it than any one else. And I've known actors who were more alive on the stage than any place else. I finally realized one day that I was totally at home on the stage, that I was more comfortable, confident and capable of life the moment I stepped out on to a stage. I loved it.

Learning lines is one of the tasks of an actor. It's tedious, hard work, but the more you do it the easier it gets. I got some excellent advice from Helen Hayes who said that she memorized something every day even when she didn't have a play to work on, just to keep her memory skills in shape.

For an artist there are simple terms to describe cosmic things. Some call it the Muse, to others it's a compulsion, or a desperation or the thrill of living and expressing life. Everything you write, a novel, a history, a short story, a poem, a journal entry, becomes a part of the unbelievably limitless world of the written word. It's the same with a painting, No matter where it's hung or not hung it is part of the genius of visual art.

From the grandeur of ancient Greek and Roman theatre, through the rag tag Commedia players moving around through the Middle Ages, to the authority of European theatre, to Broadway, Hollywood, TV drama and an occasional work of quality on You Tube, actors have been entertaining people with the portrayal of real life and the glamorization of ideas for centuries.

Is there any bad art? Of course. But the people who produce it should have been asked the question I asked the young actor years ago. And if the questioner didn't get the right answer he should have talked them out of it.

Great works of art have been made, are being made right this instant and will continue to be made by artists, just as long as they are compelled by love and the right answers.

DB - Vagabond Journeys
Never Give Up
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AUTUMN QUESTION

What event over the past year changed your life, a lot or a little?

3 answers so far.

dbdacoba@aol.com

I await your answers.
DB
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